Farshaxanka iyo madadaaladaTahay

Sida ku cad expressionism rinjiyeynta

Expressionism tahay - dhaqdhaqaaqa soo baxay in qarnigii XX ee Europe. ka Laatiin "expressio" ee la turjumay oo macnihiisu yahay "muujinta". Isbeddelkani waxa uu ahaa sidaas caanka ah ee labaataneeyada in qabsada oo dhan jihada farshaxanka iyo si cad u muujiyey in rinjiyeynta, suugaanta, music, tiyaatarka, naqshadaha iyo filimada. Ka dib oo dhan, dhacdooyinka Europe si fiican ma Tanina. Dagaalka, si weynna u kobcay warshadaha iyo isbedelka weyn ee daryeelka dadka. Inta lagu jiro wakhtigan,, iyo daahfurtay in badan oo dunida-beddelo cusub ee sayniska oggol yahay in aad eegto dunida iyada oo indhaha kala duwan. Sidaas daraaddeed dadkii hal abuur leh oo keliya ma joogi karaan iyo iyada oo ay shaqo ka muujiyeen xiriirka dunida.

Expressionism in rinjiyeynta ku salaysan dareenka shakhsi ahaan iyo duni ka timi shaqada ee qorayaasha. Artists iyada oo ay shaqo u gudbin xaaladda dareen, taas oo ah waxa lagu gartaa wareer ruuxi ah, sawir ka quusanina iyo Gardarro yar-ganacsade. The mabaadiida aasaasiga ah ee socodka ahaa dhalanrog ula kac ah dunida dhabta ah, la siiyo maadooyinka buunbuuniyeen iyo foomamka angular. Sayidka, qorayaasha ayaa isku dayay si aad u hesho dhagaystayaasha in damqadaan, si ay u keeni cabsi dhab ah iyo fikirka gurracan ee dhinaca xaqiiqada dhabta ah aan naxariis lahayn.

expressionism aad u dhalaalaya in rinjiyeynta muujiyey by progenitors uu: koox Jarmal fanaaniinta ah "Bridge" iyo "The Blue fuushanba". Oo mar dambe u hadha, Vladimir V. Kandinsky, Vincent Van Gogh, James Ensor, E. Barlach, Pablo Picasso, Edvarda Munk, M.Chagall, P.Klee iyo kuwa kale - isku dayay in uu shuqullo yaab leh si ay u muujiyaan in ay ka aaminsan tahay waxa dhacaya, shaqada qaar ka mid ah lahaa orientation cad anti-dagaal (J. Gross, O. Dix).

Oo dhan xumada ah inay noqoto mid is burinaya oo fool xun oo beelaya xaqiiqada farxda expressionist dareenka walaaca, cun-cun, xuso, waxay lagu wareejiyay canvases uu isticmaalayo foomamka hypertrophied, khadadka angular iyo qalloocan, qolfo madow, stroke xoqdo oo deg deg ah. farshaxankiisa Expressionism maqalka doorashada mid ah midabo kala hor imaanayn, hadal cad ee foomamka si ay u kiciyaan oo ay dareenka of dhagaystayaasha, ma sii dayn jalaq. sheekooyinka fudud ee nolol maalmeedka ayaa dhex maray askunmay muujinta artist iyo kaliya tirsan Isbahysiga dareenka. Expressionism in rinjiyeynta ugu cad u siiyey fikrad ah niyadda waqtiga, oo ku gana oo qaba dadka. Aragtida dunida iyada oo loo marayo farshaxanka iyo shakhsi view ayaa loo ogol yahay fannaaniinta si ay u fuliyaan on wada hadal la maqlayo iyadoo la kaashanayo of qaab aan caadi ahayn tahay.

Expressionism in rinjiyeynta - waa fursad ay ku muujiyaan, iyada oo shucuurtooda la xidhiidha wax. Iyada oo nooca khafiifka ah oo xasaasi ah, fanaaniinta ay isku dayi isticmaalaya images farshaxanka si uu u gudbiyo aragtidaada iyo waayo-aragnimo in ay dhagaystayaasha. Tijaabinayaan midabada iyo qaababka, si aad u baadhid images cusub oo socota illaa maanta. Sidaa darteed waxaa loo saarin karaa in degaankan shaqada jihada la mid ah, laakiin aan qaab saafi ah, laakiin sida khaasatan of jiho cusub oo xiiso leh. Si aad u hesho dadka si dhab ah damqadaan - tani ma aha hawl fudud. Tan iyo markii, caqabadaha oo dhan nolosha iyo mada ee bulshada wali ma hayno xaaladda runtii dulmi ku salaysan kuwaas oo waxaa loo soo nooleeyey arrimuhu farshaxanka.

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